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Rachel Ruysch
Still life with flowers on a marble table top
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ID: 96644
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Rachel Ruysch
Dutch
1664-1750
Rachel Ruysch (June 3, 1664 ?? Amsterdam, August 12, 1750) was a Dutch artist who specialized in still-life paintings of flowers.
She was born in The Hague, but moved to Amsterdam when she was three. Her father Frederik Ruysch, a famous anatomist, and botanist, was appointed a professor there. He gathered a huge collection of rarities in his house. She assisted her father decorating the prepared specimen in a liquor balsamicum with flowers and lace. At fifteen Ruysch was apprenticed to Willem van Aelst, a prominent Delft painter, known for his flower paintings. In 1693, she married a portrait painter, Juriaen Pool (1666-1745), with whom she had ten children. Her sister Pieternel was married to Jan Munnicks, a young man who drew flowers in the Hortus Botanicus Amsterdam.
In 1701 Ruysch was inducted into the painters' guild in The Hague. Several years later Ruysch was invited to work for the court in D??sseldorf and serve as court painter to Johann Wilhelm, Elector Palatine. She remained working for him and his wife from 1708 until the prince's death in 1716. Also Jan Weenix and Adriaen van der Werff were invited to deliver paintings, after Eglon van der Neer died. In 1723 she won the lottery. Ruysch kept painting for her prominent clients.
Ruysch lived eighty-five years and her dated works establish that she painted from the time she was a young woman until she was an octogenarian. About a hundred paintings by her are known. The background of the paintings are usually dark. Ruysch was also noted for her paintings of detailed and realistic crystal vases. Related Paintings of Rachel Ruysch :. | Still-Life with Fruit and Insects | Basket of Flowers | Rachel Ruysch, | flowers and lnsects | Flowers in a vase | Related Artists: johan hammarJohn RuskinEnglish Romantic Writer and Painter, 1819-1900
English art critic. Born into a wealthy family, Ruskin was largely educated at home. He was a gifted painter, but the best of his talent went into his writing. His multivolume Modern Painters (1843 C 60), planned as a defense of painter J.M.W. Turner, expanded to become a general survey of art. In Turner he saw "truth to nature" in landscape painting, and he went on to find the same truthfulness in Gothic architecture. His other writings include The Seven Lamps of Architecture (1849) and The Stones of Venice (1851 C 53). He was also a defender of the Pre-Raphaelites. In 1869 he was elected Oxford's first Slade professor of fine art; he resigned in 1879 after James McNeill Whistler won a libel suit against him. Philippe RousseauParis 1816 - Acquigny 1887.
French Painter.
French Painter. French painter. He may have received his artistic training in the studios of Gros and Jean-Victor Bertin, since he credited them as his masters when he exhibited at the Salon. He began exhibiting in 1834 with a View of Normandy (untraced) and for the next six Salons he exhibited landscapes. In 1844 he began to show still-lifes. In 1845 he was awarded a third-class medal, and in 1847 his still-lifes were admired by Th?ophile Thor?, who was one of the earliest critics to recognize Rousseau's debt to Chardin. This influence became the subject for his 1867 Salon entry, Chardin and his Models (untraced, see McCoubrey, no. 15). The work is far grander and more cluttered in its conception than most still-lifes by Chardin and alludes to the master by faithfully reproducing some of his favourite objects within a traditional table-top format rather than by an analysis of his compositional devices.
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